DOI Heft:
Nr. 153 (November 1909)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19868#0125
Studio-Talk
*° Konigsberg, to take up the post of instructor of ^P^Tv^rKo^r ^ThadbL^en
the paintinggand life class at the Academy of may give a delightful
Art, the title of professor being conferred on him in on me g ^ ^ ^ ^ drawing of ,m
the succeeding year. He has been the recipient toaffli« ^ ^ ^ rf ^ in a painl;ng
°f numerous medals ; at Berlin in 1895 he was Ulustrato , ^ generations long after
awarded the small gold medal; at Paris in 19°° that oug. t ^ ^ can embody
he was again awarded a medal, and at Dresden any ac > ^ ^ and a past issue
» 1905 he received the gold plaquette. E. K. in m Pf■& ^ ^ gencrous, but 0f a
1 ne tuwiM ^ gaiety lt3 quondam
DRESDEN.-Of Hans Unger it has been tempered has vanlshed. We now
said, uncharitably, that he shows us ^^^^ coloration of our own
another face every time he .spkiys fed h ta£o^ tQ force lt
new work. At his last show held at accord,
Arnold's Galleries some
few months ago, there
was possibly a change to
record, but the change
was certainly to some-
thing very beautiful,
something of sufficient
inherent worth to make us
forget comparisons and
dis-card reminiscences.
Unger's art seems to
me to have undergone a
process of clarification.
Once upon a time a
certain garish coloration
made, it unsympathetic.
The fact that the tricks
of the trade, an extreme
cleverness of handling
and technical skill, were
too plainly in evidence,
made it seem flashy.
One was led to suspect
the sincerity of the author.
Now, however, it seems
to me convincing, in
spite of the circumstance
that all of the produce
is not yet quite homo-
geneous, and that a trait
here and there occasion-
ally recalls to mind the
picture of a brother-artist.
The modelling of the
flesh is now very beautiful
and simple. There are
no touches of ephemeral
observation. Unger has
Earned to eschew, in the ^ r ^ CH1LU
posing as well as in the
BY HANS
*° Konigsberg, to take up the post of instructor of ^P^Tv^rKo^r ^ThadbL^en
the paintinggand life class at the Academy of may give a delightful
Art, the title of professor being conferred on him in on me g ^ ^ ^ ^ drawing of ,m
the succeeding year. He has been the recipient toaffli« ^ ^ ^ rf ^ in a painl;ng
°f numerous medals ; at Berlin in 1895 he was Ulustrato , ^ generations long after
awarded the small gold medal; at Paris in 19°° that oug. t ^ ^ can embody
he was again awarded a medal, and at Dresden any ac > ^ ^ and a past issue
» 1905 he received the gold plaquette. E. K. in m Pf■& ^ ^ gencrous, but 0f a
1 ne tuwiM ^ gaiety lt3 quondam
DRESDEN.-Of Hans Unger it has been tempered has vanlshed. We now
said, uncharitably, that he shows us ^^^^ coloration of our own
another face every time he .spkiys fed h ta£o^ tQ force lt
new work. At his last show held at accord,
Arnold's Galleries some
few months ago, there
was possibly a change to
record, but the change
was certainly to some-
thing very beautiful,
something of sufficient
inherent worth to make us
forget comparisons and
dis-card reminiscences.
Unger's art seems to
me to have undergone a
process of clarification.
Once upon a time a
certain garish coloration
made, it unsympathetic.
The fact that the tricks
of the trade, an extreme
cleverness of handling
and technical skill, were
too plainly in evidence,
made it seem flashy.
One was led to suspect
the sincerity of the author.
Now, however, it seems
to me convincing, in
spite of the circumstance
that all of the produce
is not yet quite homo-
geneous, and that a trait
here and there occasion-
ally recalls to mind the
picture of a brother-artist.
The modelling of the
flesh is now very beautiful
and simple. There are
no touches of ephemeral
observation. Unger has
Earned to eschew, in the ^ r ^ CH1LU
posing as well as in the
BY HANS