International studio (39.1909/1910(1910))

28 THE INTERNATIONAL STUDIO November,1^

GALLERIES—Continued

C. W. KRAUSHAAR

DUTCH PAINTINGS

By Mauve, Israels, Jacob Maris, Willem Maris, Jurres and Pieters

RARE PROOF ETCHINGS

By D. Y. Cameron and A. H. Haig from the SIR JOHN DAY COLLECTION

of London

260 Fifth Avenue, near 29th Street NEW YORK

THE ANDERSON ART GALLERIES

12 EAST 46th STREET, NEW YORK

AMPLE FACILITIES FOR IMPORTANT SALES OF

Private Art or Literary Collections

BY AUCTION

EXPERT INFORMATION UPON REQUEST Telephone: 120 Murray Mill

PAINTINGS

AMERICAN ARTISTS

CHOICE EXAMPLES ALWAYS ON VIEW
ALSO

SMALL BRONZES AND VOLKMAR POTTERY

WILLIAM MACBETH

450 FIFTH AVENUE NEW YORK

Special Exhibition of The Dutch Art of the 17th Century

AT

THE EHRICH GALLERIES

463-465 FIFTH AVENUE, One door north of 40th Street NEW YORK

"®Ui teira" nf all »tl\mU

Special attention given to Expertizing, Restoring and Framing

C. KLACKNER

PAINTINGS AND WATER COLORS

MEZZOTINTS KING PRINTS

Printed in Color (Catalogue on application)

ORIGINAL ETCHINGS

Haig, Fitton, Trowbridge, Piatt, Parrish

7 W. 28th Street, New York 20 Old Bond Street, London

r r.

and wholesome and are sure to &.t.
spread farther and faster. The tu j
probation for the arts-and-crafts seen1 j,
and a time at hand when, with the Wjjjl
ciation and respect of the public, l Jp
care must be to present worthy eX,atoitl
and to take the people gradually .ufa
confidence. There may develop, 111 jjfj
more than in past epochs, an art i° A
and life not devoid of art as an e,<Jjji
part of it. New, just because it ""Lji I
and grows out of the old; broad, be* Ji!
shall include elements that the old ^
not, but which shall be brought
scious relation to the old, sincere, l((
workmanship, apparently at such va
with the active impulses of to-day-

Jl\

EDSON. CARRIED OUT IN PIERCED
AND COLORED GLASS BY MB""
BEHR, NATIONAL SOCIETY °F
CRAFTSMEN, NEW YORK

Few, maybe, will be ready to teC°h\$
as representing this the movement too »
regarded as a fad, or plaything, oftn j#
and crafts. It has gained a certa'^tij
spect, but comparatively few do juS"jjji$
the principles lying back of its intci
and beautiful productions. . .

Those who would become faniil'8 .^ft
the best art craftsmanship of the °-aJ jjjffi
an opportunity always open at the ~n
and exhibition rooms of the arts a 0pe^
societies. Every city of any size naStnfl!l)*
these, and many of the smaller 3
The New York representative is k-h-0 j jjfi
the National Society of Craftsmen, a*0j(|
over the country. J's Jm

members all over the country. Jls ,vit''
are at 119 East Nineteenth Street)
exhibition and salesroom on the s |
floor, and all are welcome, whet" ')'|ic
"look to buy" or to see and learn- $
articles and the arrangements of tne j|
frequently changed, so that one # tyfk
ways find something of new interest-
thing is individually made, ( >f course- a(f
the owner can know surely that tn a A
not a thousand like it. This last IS
affectation of the craft worker. A* 'jm
art is a crystallization, and the f?ellD£o^
created it thus finding expression
seek pastures new.