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International studio — 34.1908

DOI Heft:
No. 133 (March, 1908)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.28254#0091

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Studio- Talk




find not only a profound knowledge of
eighteenth century life and sentiment,
but an altogether personal accent which
compels attention. H. F.

brightened by a sudden ray of sun-
light, or a corner of the Mediterranean
— all seem to yield up to him their inmost
secrets.

At the Gallery of that excellent
fondeur, M. A. H. Hebrard, in the Rue
Royale, there was held just before
Christmas a quite uncommon display
of modern works of applied art. A
piece of furniture by M. Desbois—a
cabinet made of a beautifully coloured
wood and decorated with carved sirens
and seaweed motifs—might have been
classed as a chef-d'oeuvre had the deco-
ration been more in accord with the
material. M. Hebrard himself ex-
hibited a silver font which merits being
classed as a remarkable achievement,
and also a very fine dish, a work more
suitable for display in a cabinet than
for actual use. I admired some cups
by M. Hairon ornamented with foliage,
perfect execution being here combined
with order and proportion in the
general conception. Equally admirable
was a capital vegetable dish by the
same artist, this article being entirely
appropriate to its purpose. A sauciere

At “L’Office Artistique,” a small gallery
in the Rue de la Pepiniere, M. J. Dresa,
an artist who deserves to be better known
than he is at present, brought together a
series of illustrations done by him for
Sterne’s “Sentimental Voyage,” the chief
episodes of which he has translated in a
number of really charming works, accom-
plished by divers processes—pen-and-ink,
gouache, water-colour, three chalks—varieties
of medium which he often mixes according
to the dictates of his fancy. M. Dresa,
whose elegance and gracefulness reveal a
close kinship to Moreau-le-Jeune, to Eisen,
and to Cochin, is none the less shown
to be among the moderns by the vital
characteristics of his art, in which we

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BY A. BIGOT
 
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