International studio (34.1908)

Studio- Talk

characteristics he conveys
with fidelity and feeling.
Neither Thiemann nor
Klemm, however, confine
themselves to trees and
farming episodes. Both
consider coloured wood-
cuts as a most refined and
delicate means of graphic
expression, and cultivate
it not only on account of
the opportunities it offers
from the point of view
of mere draughtsmanship,
but also and chiefly for
the sake of the pictorial
possibilities it affords.
Wood and knife give them
a sense of the power of
doing which no other
medium has for them.
They do all their work
themselves ; they draw the
“EVENING” (COLOURED WOOD ENGRAVING) BY WALTER KLEMM



“a sunny day in march

( Hagenbund, Vienna)

BY JOSEF BEYER