The Art Critic and the Critical Artist
formula, however firm or elastic, for, lo, here comes combine it with the records of race meetings and
a strong man, a genius, and the hempen cords with police-courts. The art specialist is he who, not
which we thought to bind him burst asunder, being so born, is desirous of making himself an art
touched by his fire. critic out of the ordinary material of man, and to
Of course this strong and erratic genius is just that end he frequents the art clubs and coteries,
FROM A WATER-COLOUR SKETCH BY WILFRID BALL
as much under the control of immutable laws as, and nourishes himself upon the brains of artists,
let us say, the weather, but, like it, the conditions rendering their frequently bald but weighty
vary so infinitely that it is dangerous to prophesy utterances into subtle and elaborate phrases whose
concerning either ; this the every-day critic knows meaning is oftentimes as obscure as it seems to be
full well and makes his prognostications after the authoritative. I do not object to their method of
event. self-education in art, indeed it seems the only
This ideal critic being so rare, it is hardly worth possible course; my sole sorrow is that it does not
while taking him into consideration except in a go far enough—with so authoritative a voice one
metaphysical, speculative sort of way, as one who feels sometimes there ought to be a little more
sits above us in the silence taking notes. To knowledge.
literature he comes once in a cycle, to art one The artist with a literary taste would seem to fill
might say not at all. For those who set them- the void—that is, if his qualifications are genuine
selves to judge of letters are at least, as a rule, —but he doesn't.
men of letters and know some of the problems of The artist is not necessarily or naturally a critic;
writing, and so can judge somewhat of the writer's-. the critical faculty is analytical, the artistic syn-
failure or success j these are those who are critics"- thetical : the artist constructs, the critic dissects,
not born but made, and to them comes at rare. The artist feels sometimes without knowing, the
intervals one who is born to judge righteous critic knows oftentimes without feeling. The
judgment in things literary—in fact, the ideal artist's cult becomes his creed, he regulates his
critic. ' methods upon certain dogmas. The critic must
But in art it is different, the critics are of two " sit as gods, holding no form of creed, but
kinds—the literary man with an artistic taste and contemplating all." The artist's preoccupation
the artist with a literary taste. The first class is with" his own problems belittles the importance of
very wide, extending from those gentlemen who those which other men are striving to solve, but
make a specialty of art criticism, to those who the more various the methods the more the critic
184
formula, however firm or elastic, for, lo, here comes combine it with the records of race meetings and
a strong man, a genius, and the hempen cords with police-courts. The art specialist is he who, not
which we thought to bind him burst asunder, being so born, is desirous of making himself an art
touched by his fire. critic out of the ordinary material of man, and to
Of course this strong and erratic genius is just that end he frequents the art clubs and coteries,
FROM A WATER-COLOUR SKETCH BY WILFRID BALL
as much under the control of immutable laws as, and nourishes himself upon the brains of artists,
let us say, the weather, but, like it, the conditions rendering their frequently bald but weighty
vary so infinitely that it is dangerous to prophesy utterances into subtle and elaborate phrases whose
concerning either ; this the every-day critic knows meaning is oftentimes as obscure as it seems to be
full well and makes his prognostications after the authoritative. I do not object to their method of
event. self-education in art, indeed it seems the only
This ideal critic being so rare, it is hardly worth possible course; my sole sorrow is that it does not
while taking him into consideration except in a go far enough—with so authoritative a voice one
metaphysical, speculative sort of way, as one who feels sometimes there ought to be a little more
sits above us in the silence taking notes. To knowledge.
literature he comes once in a cycle, to art one The artist with a literary taste would seem to fill
might say not at all. For those who set them- the void—that is, if his qualifications are genuine
selves to judge of letters are at least, as a rule, —but he doesn't.
men of letters and know some of the problems of The artist is not necessarily or naturally a critic;
writing, and so can judge somewhat of the writer's-. the critical faculty is analytical, the artistic syn-
failure or success j these are those who are critics"- thetical : the artist constructs, the critic dissects,
not born but made, and to them comes at rare. The artist feels sometimes without knowing, the
intervals one who is born to judge righteous critic knows oftentimes without feeling. The
judgment in things literary—in fact, the ideal artist's cult becomes his creed, he regulates his
critic. ' methods upon certain dogmas. The critic must
But in art it is different, the critics are of two " sit as gods, holding no form of creed, but
kinds—the literary man with an artistic taste and contemplating all." The artist's preoccupation
the artist with a literary taste. The first class is with" his own problems belittles the importance of
very wide, extending from those gentlemen who those which other men are striving to solve, but
make a specialty of art criticism, to those who the more various the methods the more the critic
184